Hi y'all...
For our meeting on MARCH 11, we are reading: Atonement, by Ian McEwen.
As we near the date, I'll post Lauren's info so we all know where to go!
Happy reading...
Wednesday, February 18, 2009
Monday, February 9, 2009
March BookGroup
We have three fabulous choices for our March book, as well as some dates to pick from. At the last meeting, all of the attendees commented how they would like to read Ian McEwen's Atonement, but our hostess, Lauren, has offered up a couple of other choices as well.
Please vote on the date as well as the book in the boxes on the bottom right.
I will post Lauren's info as we get closer to the date.
Thanks so much for getting this to me, Lauren! Can't wait to start reading! (And one of these is one of my favorite books of all time, which I wouldn't ever mind re-reading!)...
The options are:
Atonement, by Ian McEwen
From Publishers Weekly
This haunting novel, which just failed to win the Booker this year, is at once McEwan at his most closely observed and psychologically penetrating, and his most sweeping and expansive. It is in effect two, or even three, books in one, all masterfully crafted. The first part ushers us into a domestic crisis that becomes a crime story centered around an event that changes the lives of half a dozen people in an upper-middle-class country home on a hot English summer's day in 1935. Young Briony Tallis, a hyperimaginative 13-year-old who sees her older sister, Cecilia, mysteriously involved with their neighbor Robbie Turner, a fellow Cambridge student subsidized by the Tallis family, points a finger at Robbie when her young cousin is assaulted in the grounds that night; on her testimony alone, Robbie is jailed. The second part of the book moves forward five years to focus on Robbie, now freed and part of the British Army that was cornered and eventually evacuated by a fleet of small boats at Dunkirk during the early days of WWII. This is an astonishingly imagined fresco that bares the full anguish of what Britain in later years came to see as a kind of victory. In the third part, Briony becomes a nurse amid wonderfully observed scenes of London as the nation mobilizes. No, she doesn't have Robbie as a patient, but she begins to come to terms with what she has done and offers to make amends to him and Cecilia, now together as lovers. In an ironic epilogue that is yet another coup de the tre, McEwan offers Briony as an elderly novelist today, revisiting her past in fact and fancy and contributing a moving windup to the sustained flight of a deeply novelistic imagination. With each book McEwan ranges wider, and his powers have never been more fully in evidence than here.
Cider House Rules, by John Irving
(If you've never read this book, I highly recommend it, even if we don't read it for bookgroup this time - it, along with Irving's Hotel New Hamphire, are two of my all time favorite books - helen)
From the Publisher
How can anyone not love a book that simultaneously tells a deeply moving and compelling story AND explore the abortion debate with humor and evenhandedness? John Irving is my favorite author and while A PRAYER FOR OWEN MEANY is my favorite Irving title, THE CIDER HOUSE RULES is right up there. I love how deeply Irving knows these characters and how gradually he reveals their quirks and idiosyncracies. He knows and loves them so much, the reader can't help but love the ether-imbibing Dr. Larch and his surrogate son, the orphan Homer Wells. Irving is a consummate storyteller.
The Brief Wonderous Life of Oscar Wao, by Junot Diaz
From Publishers Weekly
Starred Review. What a bargain to have Diaz's short story collection, Drown, included (on the last five CDs) with the talented, emerging Dominican-American writer's first novel. Davis reads both superbly. He captures not only the fat, virginal, impractical Oscar, but he also gives a sexy vigor to Yunior, who serves as narrator and Oscar's polar opposite. Davis also gives voice to Oscar's mother, Beli, whose fukú curse infects the entire family, except for Oscar's sister, Lola, performed in a flat voice by Snell, whose performance overlooks Lola's energy and resolve. Both Snell and Davis move easily from English to Spanish/Spanglish and back again, as easily as the characters emigrate from the Dominican Republic to Paterson, N.J., only to be drawn back inexorably to their native island. Listeners unfamiliar with Spanish may have difficulty following some of the dialogue. However, it's better to lose a few sentences than to miss Davis's riveting performance, perfect pace and rich voice, which are perfectly suited to Díaz's brilliant work.
Please vote on the date as well as the book in the boxes on the bottom right.
I will post Lauren's info as we get closer to the date.
Thanks so much for getting this to me, Lauren! Can't wait to start reading! (And one of these is one of my favorite books of all time, which I wouldn't ever mind re-reading!)...
The options are:
Atonement, by Ian McEwen
From Publishers Weekly
This haunting novel, which just failed to win the Booker this year, is at once McEwan at his most closely observed and psychologically penetrating, and his most sweeping and expansive. It is in effect two, or even three, books in one, all masterfully crafted. The first part ushers us into a domestic crisis that becomes a crime story centered around an event that changes the lives of half a dozen people in an upper-middle-class country home on a hot English summer's day in 1935. Young Briony Tallis, a hyperimaginative 13-year-old who sees her older sister, Cecilia, mysteriously involved with their neighbor Robbie Turner, a fellow Cambridge student subsidized by the Tallis family, points a finger at Robbie when her young cousin is assaulted in the grounds that night; on her testimony alone, Robbie is jailed. The second part of the book moves forward five years to focus on Robbie, now freed and part of the British Army that was cornered and eventually evacuated by a fleet of small boats at Dunkirk during the early days of WWII. This is an astonishingly imagined fresco that bares the full anguish of what Britain in later years came to see as a kind of victory. In the third part, Briony becomes a nurse amid wonderfully observed scenes of London as the nation mobilizes. No, she doesn't have Robbie as a patient, but she begins to come to terms with what she has done and offers to make amends to him and Cecilia, now together as lovers. In an ironic epilogue that is yet another coup de the tre, McEwan offers Briony as an elderly novelist today, revisiting her past in fact and fancy and contributing a moving windup to the sustained flight of a deeply novelistic imagination. With each book McEwan ranges wider, and his powers have never been more fully in evidence than here.
Cider House Rules, by John Irving
(If you've never read this book, I highly recommend it, even if we don't read it for bookgroup this time - it, along with Irving's Hotel New Hamphire, are two of my all time favorite books - helen)
From the Publisher
How can anyone not love a book that simultaneously tells a deeply moving and compelling story AND explore the abortion debate with humor and evenhandedness? John Irving is my favorite author and while A PRAYER FOR OWEN MEANY is my favorite Irving title, THE CIDER HOUSE RULES is right up there. I love how deeply Irving knows these characters and how gradually he reveals their quirks and idiosyncracies. He knows and loves them so much, the reader can't help but love the ether-imbibing Dr. Larch and his surrogate son, the orphan Homer Wells. Irving is a consummate storyteller.
The Brief Wonderous Life of Oscar Wao, by Junot Diaz
From Publishers Weekly
Starred Review. What a bargain to have Diaz's short story collection, Drown, included (on the last five CDs) with the talented, emerging Dominican-American writer's first novel. Davis reads both superbly. He captures not only the fat, virginal, impractical Oscar, but he also gives a sexy vigor to Yunior, who serves as narrator and Oscar's polar opposite. Davis also gives voice to Oscar's mother, Beli, whose fukú curse infects the entire family, except for Oscar's sister, Lola, performed in a flat voice by Snell, whose performance overlooks Lola's energy and resolve. Both Snell and Davis move easily from English to Spanish/Spanglish and back again, as easily as the characters emigrate from the Dominican Republic to Paterson, N.J., only to be drawn back inexorably to their native island. Listeners unfamiliar with Spanish may have difficulty following some of the dialogue. However, it's better to lose a few sentences than to miss Davis's riveting performance, perfect pace and rich voice, which are perfectly suited to Díaz's brilliant work.
Subscribe to:
Posts (Atom)
